Dear Lord, Make Me Beatiful

<em>Dear Lord, Make Me Beatiful</em>

Featuring a large ensemble of dancers with whom he has collaborated from across the country, plus Abraham himself, this Armory commission includes an innovative visual design created by Cao Yuxi (JAMES) and an Armory-commissioned score composed and performed live by the critically acclaimed new music ensemble yMusic to explore the growing sensitivities of life and transition, and nature and humanity, in our chaotic world. Lighting Designer: Dan Scully

MacArthur Fellow Kyle Abraham is one of the most sought after choreographers and dancers of our time, creating a unique and expressive style of dance that explores issues of identity, history, and geography. In addition to performing and developing new works for his company A.I.M by Kyle Abraham, the bold creator has been commissioned by a variety of dance companies including New York City Ballet, Alvin Ailey American Dance Theater, Paul Taylor American Modern Dance, Hubbard Street Dance Chicago, The Royal Ballet, and The National Ballet of Cuba. He has also choreographed for many of the leading dancers of our time, including Misty Copeland, Calvin Royal III, and Wendy Whelan. He unleashes his signature style—a unique blend of modern dance techniques ranging from ballet to hip hop—in the world premiere of a new evening-length work.

Inside Light

<em>Inside Light</em>

Few hold as much of an esteemed role in the evolution of contemporary composition and studio technique than Karlheinz Stockhausen. One of the most experimental and progressive composers of the 20th century, his innovations forever changed approaches to utilizing electronics in art music and the ways in which we listen. This classical renegade’s influence can still be felt today, inspiring everyone from Björk to Aphex Twin, Miles Davis to Animal Collective, and more. Lighting Designer: Urs Schönebaum

Stockhausen’s magnum opus Licht—a seven opera cycle each representing a day of the week—is an epic 29-hour work for vocal, instrumental, and electronic forces that is rarely performed given its length and the different configurations of musicians and spaces needed.

Pagination